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Mads Mikkelsen to enter Star Wars universe

Mads Mikkelsen will soon be trading out Denmark for a galaxy far, far away.

Published: 16 August 2015 09:47 CEST
Mads Mikkelsen to enter Star Wars universe
Mads Mikkelsen. Photo: Nicolas Genin/WikiCommons
Lucasfilm announced over the weekend that Danish actor Mads Mikkelsen, best known internationally for his roles in the TV series Hannibal and the James Bond film Casino Royale, will star in the upcoming film ’Star Wars: Rogue One’. 
 
The film is not to be confused with the highly-anticipated ’Star Wars: The Force Awakens’, which continues the original trilogy with familiar characters like Luke Skywalker and Han Solo. 
 
‘Star Wars: Rogue One’ is the first film in a standalone series that is set before the original trilogy.
 
“Rogue One takes place before the events of Star Wars: A New Hope and will be a departure from the saga films but have elements that are familiar to the Star Wars universe,” producer Kathleen Kennedy said on StarWars.com. “It goes into new territory, exploring the galactic struggle from a ground-war perspective while maintaining that essential Star Wars feel that fans have come to know. 
 
Mikkelsen’s role in the film was announced as part of a cast reveal that also included Forest Whitaker, star of The Last King of Scotland (and, err, Danish butter commercials) and Felicity Jones, the lead actress in The Theory of Everything.
 
Mikkelsen’s exact role in the film has not yet been announced. Meanwhile, his run in the American television series Hannibal appears to be nearing its end. Mikkelsen was released from his contract after the show was dropped by NBC over falling ratings. 
 
In addition to his foray into the Star Wars universe, the Danish heartthrob also recently appeared in the music video for Rihanna’s ‘Bitch Better Have My Money’ (warning, the video contains a fair amount of violence and nudity)
 
 
‘Star Wars: Rogue One’ is due to hit heaters on December 16th, 2016 while ‘The Force Awakens’ will premiere on December 18th, 2015.

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FILM

How Danish Oscar-nominated dark booze comedy was inspired by director’s tragic loss

‘Another Round’ (Danish title: ‘Druk’), a film about a pact by four world-weary Danish schoolteachers to spend every day drunk for a loosely scientific "experiment," was always going to walk a fine line between comedy and darkness.

Published: 20 April 2021 11:18 CEST
How Danish Oscar-nominated dark booze comedy was inspired by director’s tragic loss
Director Thomas Vinterberg talking to press in Denmark. Photo: Emil Helms/Ritzau Scanpix

Director Thomas Vinterberg wrote his script, originally a play, upon realising many of the world’s great historic feats were made by people regularly intoxicated on alcohol — the very same substance that can rip lives and families apart.

But four days into shooting, Vinterberg’s daughter was killed in a car crash. He somehow still finished the uniquely funny, tender and tragic film — which has earned him a rare Oscar nomination for best director. 

“The movie was always meant to be life-affirming and full of love, and bare to some extent… raw,” Vinterberg told AFP in an interview via Zoom. 

“But the tragedy that happened in my life left all defenceless and open.”

Starring as the teachers are four of Vinterberg’s close friends and collaborators, including former 007 villain Mads Mikkelsen, who all spent the shoot doing “everything they could to make me laugh in these circumstances.”

“There was so much love on the set — and I guess you can see that on the screen,” said Vinterberg, whose movie is a favourite to take home the Oscar for best international film on Sunday.

While the film is clearly about alcohol, it is also “about living inspired, about forgetting about yourself, about being curious, and being in the moment and all that comes with drinking.”

Those life-affirming elements were inspired by his daughter Ida, who was due to play Mikkelsen’s daughter, and whose real-life friends play classmates who participate in a joyous teen drinking competition around a lake.

“There’s an alarming bunch of people and countries who connected to this thing about drinking,” joked Vinterberg.

“Yes, they drink differently in California — they put the bottle in a [paper] bag — whereas in Denmark, teenagers run around in the streets with bottles out,” he said.

“But it seems that the film connects on a different level, and hopefully we succeeded in elevating this film… to a movie about something more.”

Humour is not always associated with Vinterberg, co-founder of the ascetic Dogme 95 filmmaking movement with Lars Von Trier, and director of movies tackling issues such as child abuse including “The Celebration” and “The Hunt.” 

But Vinterberg, 51, has often defied categorization. The famous Dogme 95 “manifesto” imposing strict naturalistic limits on directors was always half serious, half tongue-in-cheek.

And while he has dabbled in Hollywood — for instance 2015’s “Far From the Madding Crowd” starring Carey Mulligan, also an Oscar nominee this year — his most widely acclaimed films are often his most Danish and local.

“It seems like when I dig in my own garden, that’s when people really get interested, also abroad,” he said.

The universal themes of “Another Round” may partly explain how Vinterberg landed one of just five Oscar best director nods, for a non-English-language film (fellow nominee Lee Isaac Chung’s “Minari” is in Korean and English).

“The pleasures of alcohol, but also the destructive side of drinking, have been around for thousands of years, in all cultures almost,” said Vinterberg. 

The director served his cast booze during rehearsals, and they watched Russian YouTube videos together to observe episodes of extreme inebriation.

“We needed to see these characters being in the zone,” he recalled. “It wasn’t like they were very drunk, actually, but there was alcohol.”

On set, however, everyone was sober, Vinterberg said — “they had to act, basically, which I think they did well.”

Much as the production of “Another Round” is a story of contrasts — tragedy and camaraderie, humor and philosophy — the fates of the teachers diverge when the temptation of booze takes hold to varying degrees with each of them.

But the movie itself deliberately “did not want to moralize” or “make an advertisement for alcohol,” said Vinterberg.

“Very importantly, I did not want to have a message.”

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