Danish museum exposes ‘white lies’ of antiquity

The Ny Carlsberg Glyptoket will present over 100 works that have added full colour to the classic white marble so closely associated with Western history. See a video showing classic art being getting the full-colour treatment here.

Danish museum exposes 'white lies' of antiquity
The Caligula sculpture both in its classic form and in full colour. Photos: Ny Calrlsberg Glyptotek/Archäologischen Institut der Universität Göttingen and Stiftung Archäologie, Munich
Picture Michelangelo’s David and what do you see? Your mind most likely conjures up an image of a nude male sculpted in marble. If you know your art history, you might think of David’s symbolism as the strength of Florence or the position of his head looking toward Rome. 
But one thing you don’t see is colour. 
David, like so many other classic Western sculptural art, was pure white. But a new exhibit at the Ny Carlsberg Glyptotek art museum in Copenhagen aims to prove that “the white marble of antiquity was merely a tenacious myth” by colourising classical sculptures. 
The museum will feature 120 original works and reconstructions that take the classic white view of Western culture and add full colour. 
“From the Renaissance on, artists, art historians and philosophers viewed the pure white sculpture and architecture as an ideal and guide for their own age and thoughts,” Glypoteket states in a press release. 
“White marble became synonymous with the noble and the spiritual – a guarantee of aesthetic, ethical and political superiority. The concrete evidence of Antiquity’s widespread use of colour was, therefore, typically ignored, denied,  and, in certain cases, brutally purged from Greek and Roman sculptures,” it continues. 
The exhibition will show original works juxtaposed with colourful reconstructions in an effort to show that “our reading of the classical motifs sometimes changes radically when the sculptures appear in colour”.
The exhibition, Transformations: Classical Sculpture in Colour, will be at The New Carlsberg Glyptoket from September 13th through December 7th. 

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.


How a Viking king inspired one of our best-known modern technologies

A Swede and American tell the story of how they hatched the idea for the moniker 'Bluetooth' over beers.

A Danish 16th-century paining of Viking king Harald Bluetooth
A Danish 16th-century paining of Viking king Harald Bluetooth. Photo: Wikimedia Commons/Public domain

At the end of the 1990s, Sven Mattisson, a Swedish engineer working at telecom group Ericsson, and Jim Kardach, an American employed by Intel, were among those developing the revolutionary technology.

In 1998, at the dawn of the “wireless” era, the two men were part of an international consortium that created a universal standard for the technology first developed by Ericsson in 1994.

But prior to that, they had struggled to pitch their wireless products. Intel had its Biz-RF wireless programme, Ericsson had MC-Link, while Nokia had its Low Power RF. Kardach, Mattisson and others presented their ideas at a seminar in Toronto in late 1997.

“Jim and I said that people did not appreciate what we presented,” Mattisson, now 65 and winding down his career at Ericsson, recalled in a recent interview with AFP.

The engineer, who had travelled all the way to Canada from Sweden for the one-hour pitch, decided to hang out with Kardach for the evening before flying home.

“We received a lukewarm reception of our confusing proposal, and it was at this time I realised we needed a codename for the project which everyone could use,” Kardach explained in a long account on his webpage.

‘Chauvinistic story’

To drown their sorrows, the two men headed for a local Toronto bar and ended up talking about history, one of Kardach’s passions. “We had some beers… and Jim is interested in history so he asked me about Vikings, so we talked at length about that,” said Mattisson, admitting that his recollection of that historic night is now somewhat foggy.

Kardach said all he knew about Vikings was that they ran “around with horned helmets raiding and looting places, and that they were crazy chiefs.”

Mattisson recommended Kardach read a well-known Swedish historical novel about the Vikings, entitled “The Long Ships”.

Set in the 10th century – “a chauvinistic story” about a boy taken hostage by Vikings, says Mattisson – one name in the book caught Kardach’s attention: that of the king of Denmark, Harald “Bluetooth” Gormsson.

A Bluetooth adapter from 2004. Photo: Stefan Gustavsson/SvD/TT


An important historic figure in Scandinavia in the 10th century, the king of Denmark’s nickname is said to refer to a dead tooth, or, as other tales have it, to his liking for blueberries or even a simple translation error.

During his reign, Denmark turned its back on its pagan beliefs and Norse gods, gradually converting to Christianity.

But he is best known for having united Norway and Denmark in a union that lasted until 1814.

A king who unified Scandinavian rivals – the parallel delighted those seeking to unite the PC and cellular industries with a short-range wireless link.

And the reference to the king goes beyond the name: the Bluetooth logo, which at first glance resembles a geometric squiggle, is in fact a superimposition of the runes for the letters “H” and “B”, the king’s initials.

Low-cost and with low power consumption, Bluetooth was finally launched in May 1998, using technology allowing computer devices to communicate with each other in short range without fixed cables.

The first consumer device equipped with the technology hit the market in 1999, and its name, which was initially meant to be temporary until something better was devised, became permanent.